Specs
Price From $7995
Top: Adirondack Red Spruce
Back / Neck / Sides: Highly Figured Maple
Bridge / Fingerboard: Ebony
Tuners: Gotoh Deluxe Tuners
Tailpiece: Nickel-plated engraved Gilchrist/Northfield
Binding: Side or Top Triple-Bound
Pick Guard: Bound Celluloid Tortoise
Nut Width: 1-1/8" (28mm)
Fingerboard Radius: 5.7" at nut, 7.7" at 20th fret
Custom Options
Nut Width: Wide Nut 1 & 3/16" - “Adam Steffey” 1 & 1/4”
Head Stock Inlay:
Scroll Work Inlay - NC
Torch Inlay - NC
Deluxe Inlay - $500
"Artist Inlay" - $500Tailpiece: Nugget Tailpiece
Finish: Hybrid Varnish
Color: Hand-worked Antique Sunburst
Strings: Northfield Medium Phosphor Bronze
Case: Airloom “Recurve”
Origin: After a lot of experimentation we have decided to make this instrument collaboratively between our two workshops. It's one part practicality and one part continuity. In our efforts to build the amount of instruments we feel there is demand for we need to enlist all of our experienced staff to share the extensive load of work involved in F5 production. There is CNC operation, assembly, binding, long hours of sanding, etc. Like a great musical band we have a sense of place, cooperation, and overlap between many tasks. The delicate art of shading and finishing is an enormous consideration. Our long-time team member Lao Yin is a master of the coloring and finishing of musical instruments. It would be folly for us not to entrust him with the task of shading and bursting our premier mandolins. We believe it’s the hands, eyes, and experience that make the mandolin. Here's our process: All wood selection is done from our Michigan shop’s premium stash. We make all of the mandolin parts in Michigan, utilizing machines, fixtures, and handwork. With the top and back carved, ribs formed, blocks set, and neck completed with truss rod, overlays, and fretboard we partially assemble the instrument. The top and rib assembly are glued up, the dovetail neck joint is fine-tuned and fit to the body. The neck is then removed so we can pack the instrument "kit" in a box along with other supplies we're sending to the gang in Qingdao. The assembly is completed and then sanding and coloring steps are performed by Lao Yin. After a couple weeks of curing the mandolin is sent back to us in Michigan where we then perform final finish steps, wet sanding, french polishing, hardware installation, and setup. Sound difficult? It is - but that's how we'll do it. Together. That's how we've done everything and that's why we're confident we're making better instruments than we ever have.